
Back on Rudi-Dutschke-Strasse in 'Sale E Tabacchi', stood a black monolith with the number 28. Sale E Tabacchi is a beautiful restaurant and cafe recommended by T. After a while a woman came out of one of the doors of the monolith and had a conversation with the four people at the table beside me. I could see that there were two seats inside facing each other with a table in between. I could also see a pair of headphone draped over the back of one of the seats.
It turned out to be a Christian Boltanski project. He is collecting heartbeats. The black box was designed by "some architect" and the heart beat recordings were being taken by a lovely young German woman who kept getting mixed up between English and French. I was surprised by how valve like my heart sounded. I asked her about the number 28. She told me she felt too embarrassed to press the button to change the number displayed, a device to call the next participant, as it made a loud ringing sound that would resonate around the restaurant.
I could hear the conversation between the well dressed middle aged German man and his younger American male friend at the table beside mine. They were speculating about the black box. I interjected as I was getting up to leave, telling them it was a Christian Boltanski project.
"He's an arsehole."
"He is a very nice guy."
"Is he?"
"Yes. His art is shit but he's a really nice guy."
"All art is shit. There is only one artist over the past century who was any good my dear."
"Who's that?"
"Picasso."
"And Duchamp? And Beuys?"
"Beuys was a fucking lunatic."
"I agree about Duchamp. And of course Kurt Schwitters."
"He is shit. I have three Schwitters."
"Sell them."
"No, I wouldn't sell them if I were you."
"Do you want some sex?"
"No, I get enough thanks. Bye."
"Bye."